From a birth tableau not unlike the Nativity, through his peripatetic youth as a merchant with his uncle Abu-Talib ( Mehdi Pakdel), the figure of Muhammad is always infused with a white light that marks him as extraordinary, as does the profound effect he has on those around him. Muhammad is seen mainly from the back or with his long hair obscuring his face, and his voice is heard on occasion (in comparison, the last major film on the subject, Moustapha Akkad’s 1976 The Message, avoided onscreen images and dialogue for the prophet). Read more “Terrorism, Bombing and Brutality” Nothing To Do With True Islam, Says Mohammed Director
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